The Paris Commune and those Involved
![]() |
| The Mur des Fédérés, Père-Lachaise Cemetary where the last communards were shot on 28 May 1871. The plaque says: `Aux Morts De La Commune.' 30,000 National Guards men and women were shot by the Marshall MacMahan and the French army in collaboration with the Prussians. |
After the Commune Jean Allemane was
sentenced, as a leading National Guardsman, to forced labour for life, and was
transported to New Caledonia. While there, a trumped-up charge led to his being
condemned to a frightful punishment known as "la crapaudine." ("Crapaud"
is French for toad.)
But on his first evening in a cell he heard a low voice...
"Halloo!" came the whisper.
"You - Communard!"
"Who's that?" I whispered back.
"It's me, in number two!"
"What do you want of me?"
"Are you in the crapaudine?"
"My legs are chained to a heavy bar and my hands are
cuffed behind my back."
"The crapaudine! Well... we'll just have to free you..."
"Free me?"
"That's right!"
"But what can I do?"
"You've only got to do as I tell you..." (continued below)
| Among Those involved in the Paris Commune of 1870: |
![]() |
| Louise Michel, soldier, orator |
![]() |
| Alfred Assolant, author of children's books, the Adventures of Capt. Corcoran |
![]() |
| ...You've
only got to do as I tell you." "Are you making fun of me?" "Not a bit of it! I know who you are. And there isn't one of us in the cell-block who doesn't know that you're only suffering because Charrière hates you." "I'm glad you know that! But I don't see how I can manage to relieve my torment..." (cont. below) |
![]() |
| Gustave Courbet, Painter |
![]() |
| ...But I don't see how I
can manage to relieve my torment..."
"You've only got to follow my instructions.
Listen! "When you've done that and your hands are down
behind your legs, try to get a grip on the iron bar which your
ankle-chains are fixed to. Push it over to the left. You'll find that it's
possible to manoeuvre one wrist beyond the end of the bar, its right-hand
end. Do you understand?" |
![]() |
| Judith David, dancer |
| Do you understand?" "I think so." "Good! Next you must slide the bar to the right, and manoeuvre your other wrist, too, around the other end of the bar. And then at last your hands will be in front of you!" He continued. "Next you lift the hem of your
prison smock up to your mouth. Use your teeth to draw out a fairly long
thread. Wet it with saliva, to make it more rigid, but keep it tight
between your teeth! Then push it into the spiral spring which locks the
handcuffs. Once it's in, rotate it gently - be very patient! - and when
you feel that it's caught, pull! |
![]() |
| DesireeDumont, waitress |
| But take heart!"
I whispered, "I'm grateful to you, and I'll try
to follow your instructions and relieve this torture-" and then a
thought struck me. "Suppose I manage to free my hands, and then a
guard comes into my cell, how can I help being found out?" |
![]() |
| Giuseppi Garibaldi, 'Father of Italy' |
| Remember, it will get easier
every time you do it!"
"Thank you again! I shall try to remember
-" And now another doubt attacked me....(cont. below) |
![]() |
| Tony Moilin, doctor |
![]() |
| Emile Zola, novelist |
| And now
another doubt attacked me. Prisoners in the other cells must have
overheard the advice given me by number two. One of them could inform on
me. But then, what was the point of worrying about something that might never happen? Wasn't the essential thing, now, to try to ease my agony? To ask this question was also to answer it. I made up my mind to follow the instructions of the fellow-prisoner who had shown me such compassion - and courage. How many people would take the same risk as this convict had just done, to diminish the suffering of a comrade? When the men whose punishments involved spending the
night in a cell had been locked up, and the guards' nightly tour of
inspection was over, I set to my task. So after the rest which had become essential I
resumed my gymnastic struggle. I managed the to-and-fro movement of the bar,
getting first one wrist, and then the other, past it!
I was relieved of a major part of my torment and you can imagine my joy
when I saw my arms, scratched and bruised as they were, before me! Drawing the hem of my prison smock up to my mouth, I
used my teeth to tear out a long thread and
then, with the help of my saliva, gave it the stiffness my comrade had
spoken of. No words can express my feelings. I looked at my
hands, free at last; then at the handcuffs, now as harmless as they had
been murderous a short time ago; and I wondered if I was dreaming. Still, I was now master (to a degree) of my movements. I took pleasure in lying on my back, and then in turning myself in all directions. I would gladly have embraced like a brother the convict, unknown to me, to whom I owed my release from unbroken torment." |
![]() |
| Victor Hugo, novelist |
The Daily News, 26 May 1871:
"When I returned the Communards were at
their last gasp in the Château d'Eau, the Buttes de Chaumont, and Père-Lachaise.
On the afternoon of the 28th, after just one week of fighting, Marshal
MacMahon announced, `I am absolute master of Paris'. On the following morning
I visited Père-Lachaise, where the very last shots had been fired. Bivouac
fires had been fed with the souvenirs of pious sorrow, and the trappings of
woe had been torn down to be used as bedclothes. But there had been no great
amount of fighting in the cemetery itself. An infallible token of close and
heavy firing are the dents of many bullets, and of those there were
comparatively few in Père-Lachaise. Shells, however, had fallen freely, and
the results were occasionally very ghastly. But the ghastliest sight in Père-Lachaise
was in the south-eastern corner, where, close to the boundary wall, there had
been a natural hollow. The hollow was now filled up by dead. One could measure
the dead by the rod. There they lay, tier above tier, each successive tier
powdered over with a coating of chloride of lime - two hundred of them patent
to the eye, besides those underneath hidden by the earth covering layer after
layer. Among the dead were many women. There, thrown up in the sunlight, was a
well-rounded arm with a ring on one of the fingers; there, again, was a bust
shapely in death. And yonder faces which to look upon made one sudder - faces
distorted out of humanity with ferocity and agony combined. The ghastly effect
of the dusty white powder on the dulled eyes, the gnashed teeth, and the
jagged beards cannot be described. How died these men and women? Were they
carted hither and laid out in this dead-hole of Père-Lachaise? Not so: the
hole had been replenished from close by. Just yonder was where they were
posted up against that section of pock-pitted wall - there was no difficulty
in ready the open book - and were shot to death as they stood or crouched."
Back to Corvallis Community Pages