CHRIS CROCKER, BRITNEY
SPEARS FAN: THE CRUEL LIFE OF BUBBLE GUMMERS
VIDEO
Adults watching
Chris Crocker's fan videos on behalf of Britney Spears are never quite sure
whether they're watching "the real thing" or a parody of one. We often forget
what it's like to be a bubble gummer, when everything done tends to be a parody,
when subtetly has yet to be learned, and we pick out only the most exaggerated
characteristics of what we see and want to be like, because... well, just
because:
" Chris and I are sitting at Shoney's, where the silverware comes wrapped in a
plastic sleeve, airplane-style. He's wearing better makeup than most of the
waitresses. He orders biscuits and gravy and a glass of sweet tea.
Across the street is a Kmart and, near that Kmart, the beauty-supply store where
Chris buys his mascara (Max Factor Lash Protection) and eyeliner (Palladio).
Later he will demonstrate for me, on the inside of his wrist, how Palladio goes
on like a juicy pen and doesn't smudge. For now, we're talking about his life
growing up in a place where his presence can stir up so much anger.In
kindergarten, Chris brought Barbie dolls to school for show and tell. At home,
when he was allowed, he wore dresses made for him by an indulgent relative. In
fourth grade, a fascination with Aaron Carter, the little brother of one of the
Backstreet Boys, led him to get his first blond highlights. A later fascination
with Avril Lavigne led him to start dressing like her—"You know, jelly bracelets
stacked up my arms, kinda faux punk." He always loved to dance and perform. He
entered talent shows at the local YMCA and took clogging classes. In seventh
grade, he tried, without success, to start a gay-straight alliance at his middle
school. Around the same time he started an e-zine that encouraged young gay kids
to come out. It quickly drew 3,000 subscriptions.
"I've always been very active in the gay community online," he tells me.
However, offline, at school, where there was no gay community save for himself,
Chris got called all the standard names. "I was so used to being harassed, I
didn't even keep track of who didn't like me," he says. One day in the locker
room a guy picked him up by his neck and held him against a locker until he
turned blue in the face. The gym teacher watched and didn't intervene. That was
toward the end of his last year of middle school. Not long after, he went to a
fair designed to help students pick the local high school that was best for
them. As he sat by himself, listening, he began to hear taunts, and then noticed
that people in the room were pointing at him and snickering. He took a Sharpie
and wrote "keep staring" on the back of his hand. He made a fist, rested his
chin on it so those taunting him could see what he had written, and kept
listening to the presentations.
But Chris realized that high school, as he put it, "wasn't going to work out."
His grandparents seem to have reached the same conclusion. He's lived with them
since he was 4, when they took over caring for him because his father and mother
weren't in a position to do so. I wasn't allowed inside the home of Chris's
grandparents, and I wasn't allowed to talk to his grandfather, who doesn't know
much about Chris's internet fame. But I was allowed to talk to his grandmother
on the phone after agreeing not to ask her directly about Chris's homosexuality.
I started with a question that I thought might force us to talk about
homosexuality anyway, without breaking my ground rules. I asked his grandmother,
a 60-year-old manager for a janitorial maintenance company, why she'd decided to
pull Chris out of public high school and teach him herself. She didn't bite.
"There was a lot of people he didn't like," she told me. "And a lot of people
didn't like him, either." She added: "Chris is not really a rough and tough
person."
Chris was homeschooled for high school, taught by his grandmother after she got
off work. He spent much of the rest of his days online or watching TV. One of
his favorite shows is The View—"all my girls" is how he describes the show's
female hosts. Chris doesn't look up to gay male icons at all. When I ask, he
can't think of one he admires. "I'm not really inspired by many men, even if
they're gay," he tells me. "I'm more inspired by women who are accepting of gay
men than gay men."
I can't help but think of his grandmother when he says this. It's clear from the
videos in which she appears that Chris and his grandmother enjoy a complicated
relationship, loving but testy, in which Chris's homosexuality is always the
subtext, but is rarely addressed directly and never completely accepted.
"She's so in denial she thinks it's not obvious that I'm gay," he told me at one
point during the two days I spent with him. At another point he told me that
when his grandmother found out he was gay, "she told me I needed an exorcism,
and was dead serious."Most young men like Chris, at loggerheads with their
families and unwelcome in their communities, quickly give up. They either adapt
to a closeted lifestyle or they run off to a big city, locate that city's gay
neighborhood, take a job in a coffeeshop or bar or theater, and start anew.
Chris may still do that. He's given himself until mid-June, the anniversary of
his first internet video, to leverage enough money and opportunity out of his
internet fame to escape his small town. If that doesn't work, he says, he'll
consider doing something more old-fashioned, like buying a bus ticket.
Ironically, the internet is the reason he didn't run away long ago. It's been a
salve for his isolation, and improving communication technologies (the cell
phone, the digital camera, the text message) have helped Chris thwart, at every
turn, his grandparents' attempts to keep him distant from a gay life.
The best example: Around age 13, despite the disapproval of his grandmother,
Chris had his first boyfriend. The boyfriend lived in New York. His name was
Angel. The two met online because they were both young, gay, out, and publishing
e-zines. They were together five years. Chris describes it as the most serious
relationship of his life, even though the two never met in person. Instead, they
chatted incessantly online, and had a florid phone sex life. When, one day,
Chris's grandmother overheard them having phone sex and blocked Angel's number
in an attempt to break them up, Chris quickly found a fix: He offered to have
regular chats with a pedophile he met online in exchange for prepaid phone
cards, which he then used to call Angel.
Another example of how the web made him more than his town and family ever could
have: the way that Chris, a white Southern kid in an almost all-white Southern
town, learned to talk like a ghetto black woman. In his This and That video,
Chris closes with a line that seems to have confounded most of his YouTube
imitators, and certainly confused me. He is saying, "What's your tea like that?"
When I asked him what this phrase is all about, he told me that he'd picked it
up on the party line. "What party line?" I asked.
It turned out it was a party line that he'd found through the website
talkee.com, which compiles lists of free phone party lines around the country.
This particular line is run out of Los Angeles and is filled with flaming black
men, black drag queens, and trannies from Compton. They take on names like Candy
Cane and Chocolate and Charmane ("She's like my muse," Chris says), and they
dial in to the party line to berate each other about their breath, their weight,
and so on. Chris likes to call in under the guise of an alter ego, Penelope.
Lately, however, people have caught on and have taken to calling him Cracker. To
ask "What's your tea?" on the party line, Chris explained, is to ask, "What's
your problem?"One of the characters Chris plays in his online videos is Earl
Annie Edna, a Bible-believing older woman who seems a thinly veiled parody of
his grandmother. Earl Annie has a television show, and Chris's grandmother is
the only guest, ever. One episode begins with Chris, wearing a shiny purple
dress and Tammy Faye–caliber makeup, speaking into the camera:
Chris: Hi everybody! This is Earl Annie once again. I'm out here putting out a
message once again that we gotta get rid of Chris. And right now I'm sitting
here with one of my biggest supporters. Hi!
(He pans the camera to his grandmother, seated on the brown living-room couch.)
Grandmother: Hello.
Chris: How you doin'?
Grandmother: Not good.
(She looks unhappy to be there, but willing to play along. After some more
banter...)
Chris: You don't like Chris, do you?
Grandmother: Chris who?
Chris: Bitch, why you on my show?
Grandmother: I don't know.
Chris: I thought I was here to interview someone against Chris. (Shouts
offstage...) Get in the people who don't like him! What's this bitch doing here?
Grandmother: I like him.
Chris: You like him?
Grandmother: Uh-huh.
Chris: Do you know what he stands for? Tarnation!... Get off my show!
Grandmother: Okay.When we spoke on the phone, Chris's grandmother didn't quite
seem to grasp the size of her audience (and Chris's), but she knows the videos
are being posted online, and she knows that the other day, some kid at the local
Walgreens came up to her and said, "You're Chris Crocker's grandmother!"
Of his internet fame and the offers it's bringing him, she says: "I guess it's
good, I just don't want him traveling and going places far away where we don't
know anyone personally. It's not like I'm trying to be bossy or this and that, I
just don't want him to get hurt.... We've seen and heard too much on TV about
the things that happen on the internet."Ideally, he wants his own TV show.
Meehan, the L.A. producer, thinks it could happen. Sunbulli, the MTV
correspondent, is a bit more skeptical. "He has a lot of disadvantages going his
way," Sunbulli said of Chris.
The first disadvantage: the newness of this notion that the web can be used as a
"talent pool" for big media; the industry is still going through a learning
curve on that, Sunbulli told me. The second: Chris's all-over-the-map videos,
which range from sexy to serious, confessional to inspirational, and spoof to
ambush interview. "Chris is hard to define, and anything that's hard to define
in the industry is hard for them to accept," Sunbulli said. Third: the
anything-goes atmosphere of the web, which is both a current help and future
hindrance for Chris. "The web, at the end of the day, is unfiltered," Sunbulli
told me. "You can get away with swearing; you can get away with everything you
can't get away with on air. Unless a producer can come in and conform him, and
he's willing to be conformed, he has a very difficult road ahead."
One of the ideas that Meehan, the producer, has is to get the permission of
Chris's grandparents to shoot a reality show in their house. The irony of this
actually happening, of course, would be that Chris makes it onto television but
doesn't get to leave Real Bitch Island. He's worried about this, worried that
his appeal is contingent on the way he clashes with his current location, and on
the "comedy gold mine" that is his family. But if a reality TV show were to
happen, he told me, he'd happily do a year of Real Bitch Island reality and then
try to parlay it—finally—into a ticket off.On my last night in town, I pick
Chris up in his grandparents' driveway and we head to the next town over, which
has a gay club, one that people come from all around to attend. We pass a giant
car racetrack, and miles of signs advertising chicken strips and the price of
gas. I told Chris to bring some CDs, and he's brought Britney Spears (the whole
discography). We're listening to In the Zone. Britney and Courtney Love are part
of the all-female pantheon that Chris worships ("Even if they're a mess, they're
true to themselves," he says). He also has Madonna and Tori Amos on hand. We
talk about astrology for a bit. Chris long ago jettisoned religious belief, but
he appears to have replaced it with a fanatic faith in the zodiac. He told me
that he used MySpace to check my sign before he agreed to an interview. The
conversation drops off, and I suggest we pass the time by calling the L.A. party
line. He puts my cell on speakerphone and calls in. Someone named Michelle is in
the middle of a rant. Chocolate, another party-line regular who has become a
friend and confidant of Chris's, is also on. He teases Michelle for a bit and
then he and Chris go into another "room" to chat in peace.
Chris tells Chocolate that he has an "interviewer" with him who wants to know
what the party line is all about. "Tell him it's a mess," Chocolate replies.
"Because you got bitches like Michelle in here running their mouth all day."
Chris then tells Chocolate that we're headed to the club, and that he's anxious
because he's probably going to run into Scottie, the ex-boyfriend from his
brother-incest video.
"Are you gonna throw him shade?" Chocolate asks.
"I'm just gonna pay it," Chris replies.
Chocolate approves.
The club is so discreet it looks like a hardscrabble church—just a
fluorescent-lit reader board out front of a nondescript building, with a huge
parking lot in back. People sometimes drive through the parking lot, Chris tells
me, yell "fag," and throw beer bottles at the clubgoers. It doesn't sound like
the gay bars I'm used to, and I ask him whether it's safe to go. He dismisses my
nervousness; he's so used to the low-level danger of being gay in his area that
it doesn't register anymore.
Chris shows his ID and gets a stamp that warns the bartenders not to serve him,
since he's only 19. He's wearing Daisy Duke cutoffs, tube socks with red stripes
pulled way up his calves, and a wife-beater with "I'm not gay" written on it in
lipstick. A drag queen in a silk floral dress is auctioning men off to help her
raise money for a trip to Atlanta. She nets about $35. The crowd is more diverse
here than you'd find in a city with more gay clubs; apparently, when there's
only one place to go, the dykes crowd in with the sporty boys and the drag
queens and the old men and the young Real Bitches.
That's who I'm with, the bitches. Scottie has arrived—19 like Chris, waify like
Chris, and wearing a pink wife-beater. He has a new boyfriend in tow, wan and
unimpressed. We all lean up against one bar and survey the room. "I hate these
people," Chris says. Scottie talks about his own plans to go to L.A. "It's going
to kill this place," he says.
There is an odd undercurrent of barely checked violence swirling around us. A
guy in a Polo shirt comes up to Scottie and wants to fight him. The guy, I'm
told, is supposedly straight, but no one believes it. Maybe he's trying to prove
something. Scottie stares him down, even though this guy is bigger than him, and
I notice something I hadn't noticed before: a scrappiness to both Scottie and
Chris, no doubt born of necessity. The guy in the Polo shirt leaves, a string of
threats trailing him. Another drag queen divides the room in two and has one
side chant "Fuck You" while the other side chants "Kiss My Ass." The point is to
be loudest.
"Andrew!" Chris yells. A light-skinned black guy turns and comes over to chat. I
ask Chris afterward if they're good friends. He says no, they just know each
other from MySpace, and have never met in person before tonight.
A young woman recognizes Chris, also from MySpace, and comes over to talk. Her
name is Vanessa. She's 19, too.
"I just love what he does for the gay community," Vanessa tells me. "He's just
putting himself out there and showing that we are around and that we are
important, too."
I ask her what she wants to do with herself. Without hesitation, she gives me
the same answer as Scottie and Chris. The same urgent distress signal. The same
plea for a means of escape.
"I want to get the fuck out of here." "
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